One set, three rooms.



She starts at the curtains, which is where the light is, and the whole house behind her is white: white shiplap, white linen, white sheer hanging in every doorway.

Then the bed, then the wall with the afternoon on it, then the corner with the plants. One set of ivory the whole way, embroidered flowers and a scalloped edge, and she never changes it. The rooms change around her instead.

In a house this pale the embroidery is the only pattern in the building. Nothing else in these rooms has a design on it at all.